During my art residency, I had the opportunity to guest lecture for the Life and Aesthetics course at Chiang Mai University. It’s offered by the Faculty of Fine Art but open to anyone at the university so it was a diverse group of students. My question for them was: Where do stories come from and what do we do with them?
I shared with the class my interest in people’s stories and how they can be anchored to objects. Several of my personal projects explore this idea. Experiences and memories come to mind when we see or recognise things from our past. Sometimes they are objects, sometimes words, sometimes a smell, sometimes a feeling. When we take the time to articulate our stories, they frame our viewpoint and how we interact in life. When we take time to listen to other people’s stories we find intersections with our own and make connections.
Pitchaya, translator extraordinaire and Toi, professor in the visual art department.
Drawing upon our childhood in search of moments/events that stand out.
Looking for patterns/organic groupings in our memories.
Looking through their shared memories, I got a peek into what it’s like growing up in Thailand. One thing I noticed that recurred frequently in their drawings/writing was the use of 555. 5 is ห้า (H̄̂ā). I need to take that up!
We closed with Q+A which oftentimes doesn’t work out too well but after class, I was pleased to find students eager to participate in my collecting childhood project and wanting to chat. Thankful for this experience and being able to meet and interact with so many new friends.
On Saturday Morning, a group of art students from Chiang Mai University came over to Rumpueng for a cyanotype workshop. I showed them some of my previous prints and went through the process of mixing up the chemical solutions and preparing the paper/surface for printing. Found materials from the area were used for printing and we had a few hours to explore and experiment together.
Setting up our indoor workspace.
We printed on various types of paper.
A favourite was tracing paper.
The print darkens over time and the details become very clear.
They investigated the x-ray quality produced by some plant materials.
We worked on a collaborative piece
documenting the meaning of place.
I’m spending the month of October here as one of two artists in residence. It’s my first time in Chiang Mai and this place is just beautiful. In the 4 days I’ve been here, I’ve gotten a whirlwind tour of the area around Rumpueng: three wats, the Chiang Mai University’s campus and Faculty of Fine Art buildings (they have stone carving class!), museums, cafes, neighbourhood eateries… and met artists from near and far.
map! and hand drawn too
31st Century Museum of Contemporary Spirit
a peek into part of the printing studio at CMU
rooftop creative space, CMU
lake at CMU that is frequented by Chinese tourists because it may have been the setting in a popular movie…am still doing recon on this
This is my work area before I unpacked all my art materials. Getting used to how much space is available and planning on doing some larger scale pieces.
I was able to sit in on a life drawing class with some second year uni students that took place at Rumpueng. They concluded the session with a class shindig–a Thai bbq. Such a lovely time with them and of course delicious food.
Am also enjoying
waking up to the bantering of roosters
collecting around the neighbourhood
Catch day to day happenings on instagram.